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The Last Train to Moonmarket

"The Last Train to Moonmarket" has reached a turning point, and Lina Hart must choose. What would you do next? Read it, then continue the next page.

About this comic

## PAGE ONE **PANEL 1** **VISUAL:** Wide shot of a desolate, rain-slicked platform at an old, gothic-style train station, well after midnight. Gloomy, gaslamp-like lighting casts long shadows. Rain pours down, creating ripples on the puddles. The air is thick with mist. In the ba Tall vertical panel Lina Hart steps through the heavy, ornate door of the antique train car. Her silhouette is briefly framed against the rainy platform outside before the door mechanism begins to engage. Inside, the ca

Author
Lina Moreno
Main character
Lina Hart
The Last Train to Moonmarket comic cover

Comic pages

  1. The Last Train to Moonmarket page 1: ## PAGE ONE **PANEL 1** **VISUAL:** Wide shot of a desolate, rain-slicked platform at an old, gothic-style train station, well after midnight. Gloomy, gaslamp-like lighting casts long shadows. Rain pours down, creating ripples on the puddles. The air is thick with mist. In the ba
    ## PAGE ONE **PANEL 1** **VISUAL:** Wide shot of a desolate, rain-slicked platform at an old, gothic-style train station, well after midnight. Gloomy, gaslamp-like lighting casts long shadows. Rain pours down, creating ripples on the puddles. The air is thick with mist. In the ba
  2. The Last Train to Moonmarket page 2: Tall vertical panel Lina Hart steps through the heavy, ornate door of the antique train car. Her silhouette is briefly framed against the rainy platform outside before the door mechanism begins to engage. Inside, the car is a cavernous expanse of shadow, plush velvet, and dark wo
    Tall vertical panel Lina Hart steps through the heavy, ornate door of the antique train car. Her silhouette is briefly framed against the rainy platform outside before the door mechanism begins to engage. Inside, the car is a cavernous expanse of shadow, plush velvet, and dark wo
  3. The Last Train to Moonmarket page 3: Tall vertical panel Lina Hart walks slowly but deliberately further down the central aisle of the train car. The flickering light casts long, distorted shadows around her. She passes several rows of heavily draped, dust-laden seats. Her gaze is fixed ahead, scanning the archaic i
    Tall vertical panel Lina Hart walks slowly but deliberately further down the central aisle of the train car. The flickering light casts long, distorted shadows around her. She passes several rows of heavily draped, dust-laden seats. Her gaze is fixed ahead, scanning the archaic i